| Sue
Ailsby's
TRAINING
FOR CONFORMATION
*
GAITING
* |
Reprinted
with the kind permission of The Clicker Journal
SORRY
FOR THIS, PEOPLE - I lost the photos that went with this article.
Finally found a paper copy (keeping photos on paper - radical
idea!) So these photos have been printed and scanned and they're
not the best any more, but I think they do the job. |
|
Gaiting,
like stacking, is more involved than first meets the eye. The
dog must move around the ring or up and down the mat. His attention
must be on where he's going, yet he must be aware at all times
of where the handler is and how fast the handler is going. He
must move with his back feet following his front feet. At the
end of the diagonal mat, he must look again either at the handler
or at the judge. He must trot. He must be able to alter his trot
from fast to slow. He must respond to minute changes in pressure
on the lead. He must be able to trot in a straight line without
weaving back and forth. And he must understand that the ring is
a circle with flat sides, not a rectangle. Ouch! Most handlers
don't know that much! |
|
EASY
BEGINNINGS
Before
we start training the dog, let's begin with a brief discussion
of gait. All show dogs are judged at a trot |
| "Pace"
is a specific gait in which the left front leg and the left
rear leg stay the same distance apart all the time, moving
forward and backward together. |
 |
Pace.
Both left legs coming forward at the same time. Notice how
Pacing lowers her shoulders and raises her hips. Eeuw! |
|
|
"Trot"is a specific gait in which the left front
leg and the left rear leg come together and separate as the
dog moves forward. |
 |
Trot.
Left legs meeting, right legs separating. Notice how Trotting
has flattened her topline, even though she's being silly and
throwing her head back. Also note how much more reach (in
front) and drive (in the rear) it gives her. Very pretty. |
|
The
Pace is frequently adopted by tired dogs, by dogs that aren't
built properly in various ways, and by dogs who have handlers
that are constantly interfering with their gait with the leash.
You don't want the judge to see your dog pacing, and will therefore
put some effort into clicking and reward your dog for trotting
when you're going for walks. "Walk" is a specific gait
which, in many breeds, looks a great deal like a Pace, with left
front and rear legs going forward at approximately the same time
(there IS a difference - in a Walk, the rear leg touches the ground
slightly before the front leg does but, while the judge can tell
the difference, for our purposes here, it isn't all that important).
It is certainly acceptable for your dog to Walk a few steps in
the ring to get from one place to a nearby place, but unless the
judge specifically asks for a Walk, any distance in the ring will
be covered with the dog in a Trot.
When
you have enough experience, you'll be able to tell whether your
dog is Walking, Pacing or Trotting by the feel of the loose leash,
or by the sound of the dog's paws on the floor. For now, I recommend
that you spend a fair amount of time simply sitting and watching
dogs until you can tell a Trot from a Pace without having to stop
and think about what each leg is doing. Watch particularly for
the lowering of the front end and the ribcage swinging from side
to side in the Pace. |
FOLLOWING
THE PATH
In
free stacking, and in life, you spend a lot of time teaching the
dog to watch you. Now you must teach him NOT to watch you. There
are several exercises to help with this.
With
the dog off-leash, walk in a small circle fifteen to twenty feet
in diameter, counterclockwise. The dog is in the centre of the
circle (on your left) trying to figure out what the heck you're
doing. If you've used this circle to teach the dog the beginnings
of heeling, you'll have to do some work to show him that isn't
what you want now. You could, for instance, put your left hand
out to your side at shoulder height (as if you were holding a
show lead) while you walk. Later, this arm-out will become one
of the many cues he uses to tell that you're doing conformation
gaiting, not heeling or loose-leash walking. Be sure that you're
looking about ten feet in front of you along the circle, not at
the dog. If you look at the dog, he'll naturally look at you,
which isn't what you want. The dog must be AWARE of you, but if
he's looking AT you while he gaits, he'll be throwing his legs
out of alignment.
OK.
Counterclockwise circle, left hand out, looking where you're going,
dog in the centre. Click and treats. Now what? While you're walking,
the dog might be standing in the centre of the circle watching
you. Toss a treat ahead of you along your path to get him up and
moving. The dog might come toward you or follow you as you walk.
Click and toss the treat out in front of you. The dog might start
walking and watching you, heeling. If (and when) he's that willing
to work with you, start clicking him when he's NOT looking at
you. If you can do this without looking at him, super. Some of
us have better peripheral vision than others. If you can't (and
most people can't), get a friend to sit outside your circle and
click for you when the dog is looking away from you. After the
click, toss the treat into the centre of the circle. |
Oh!
OH! OH!! Why would you do that? The dog will learn mat diving!
Ah, grasshopper, breathe deeply. Be calm. We will deal with that
"problem" later. For now, you're tossing the treat into
the centre of your circle for several reasons. First, the food
is the primary reinforcer for the behaviour. Eating from the centre
of the circle will help take the dog's attention off you, which
is, after all, what you're trying to teach him. Second, it takes
the dog away from you and gives him a chance to come back toward
you and offer you the walking-together-but-not-looking-at-each-other
behaviour again. A win-win situation. You can also use this walking
circle to teach the dog to lead out in front of you, which will
make him look animated, cheerful, and athletic. Once the dog is
going around the circle well, start tossing his treat out in front
of him instead of into the centre of the circle, and click when
he's slightly in front of you and looking where he's going, rather
than beside you.
As
he gets better and better at walking beside you and not looking
at you, you can get fussier. Go faster, and click him only when
he's trotting. Soon he'll see you assume the left-wing-only airplane
walk, and he'll move automatically out in front of you at a trot. |
|
Another
useful exercise is teaching the dog to look ahead of himself from
a stationary position, then transferring it to movement. Ask him
to stay, walk out in front of him, and put a large piece of bait
on the floor. If he can't stay yet, hold him and toss it out in
front of him. Be sure he sees it. Walk back to his right side.
Tease him a little with your voice. "See it? Want it? Gonna
get it?" When you're SURE he's looking at it, click and let
him get it. Don't click or let him go unless he's looking at the
treat on the floor. When you've done this in four or five different
places, you can put a cue on it, and hearing the cue will get
him to look out in front of him for a treat. My cue is "Look"
and my cue to look at me is "Watch". I think it's fun
to stand with the dog beside me and cue "Look" (she
looks out in front), "Watch" (she looks at me), and
"Look" again. It certainly lets me know that she understands
where she's supposed to be looking! And it's a spectacular trick. |
| A
third exercise is to put a chair at the end of one mat. Use the
chair as a target to be touched to earn a click (or put a bit
of bait on the chair). Have the dog go farther and farther to
get to the chair. Soon he'll be doing two mats with a corner in
between to get to the chair, then three mats and two corners,
then the entire circle.
Will
the dog try to cut the corner to go directly to the chair? Of
course he will! If you don't like the path he's taking, turn away
from him and don't click him for targeting the chair. With the
circle work you've already done, he'll turn and come back to you
so you can start again with a bit less distance before the corner. |
 |
Superb
trot, eyes on the prize. Note the invisible leash!
Why
is it a trot? Because the left front and left rear legs
are coming together, while the right front and right rear
legs move apart. The back is flat, the tail is correct,
the expression is cheerful and alert. This is excellent. |
|
|
Let's
talk about that corner for a moment. You do want the dog trotting
on the mats, which form a square. At the same time, you don't
want the dog running right into those square corners, because
having to turn the right-angled corners will interrupt the lovely
flow of his trot. So you want a flat-sided circle. By walking
the circle exercise, and by working the chair target, you're teaching
the dog to balance the style of circle he's making.
Another
factor in the circle that you'll be paying attention to will be
how far the dog is from you (although this is part of the corner
definition as well). He needs to be close enough to you that you're
both moving together, yet he should be silghtly ahead of you,
and far enough from you that he appears to have his own personal
space and integrity. Another reason for your left hand out from
your body at shoulder height - if the dog's spine between his
hips is centred under your outstretched hand, he's probably in
a perfect gaiting position, and the leash between your hand and
his neck is not pulling him off to the side and throwing his gait
off. Take another look at the picture above - the position is
perfect. The dog is directly under the handler's outstretched
hand (and a bit ahead), and appears to be totally in control of
what's happening, while the handler appears to be "along
for the ride". |
UP
AND BACK
So,
he can go around in circles. Now he needs to go in a straight
line, and so do you! Let's start, as always, with you. The judge
needs to see the dog trotting away from her, and back towards
her. This away-from-the-judge and back-to-the-judge is called
the "up and back" or the "diagonal". What
she really needs to see is how the legs move in relation to each
other, so you and the dog need to go in a straight line. Wobbling
back and forth won't help you. Life is easier if there's a diagonal
mat for you to follow on the up and back in the ring, or at least
if you can get one to practise with. If you don't have one, try
drawing one on the ground, or putting a couple of strings on the
ground to define the borders of an imaginary mat three feet wide.
You'll
have to wear good shoes with non-slip soles to show your dog.
Why? Because the mat is not for you. Write this on the fridge
where you can see it. The mat is not for you, the mat is for the
dog. YOU are not allowed to walk on the mat! The mat is for the
dog. Did I get that point across? Good! |
| Alone,
without the dog, you'll practise the diagonal (note that the "diagonal"
is not always done from one corner of the ring to the opposite
corner - sometimes it's done on one side of the ring, but you
and the dog have to know the same stuff anyway). Start on the
right side of the mat, on the floor (remember you're not allowed
to walk on the mat). Look for an eye-target in the distance so
you can watch the target as you move along the right edge of the
mat. This target is the trick to walking in a straight line. Don't
look where your feet are, don't look at your pretend dog, just
keep your eye on the target. This is a great hint for laying scent
tracks in straight line too, in case you were interested.
When
you get to the end of your mat (this is the complicated part),
stop, then back up to your left until you're on the opposite side
of the mat, facing back the way you came. Find another eye-target,
and go back to the beginning. Your left hand is at shoulder height
out from your body, followed a path down the centre of the mat,
both going out and coming back. Wow, you're a star! Notice that
if you'd had a dog on a leash, the dog would have been able to
walk straight up the centre of the mat, and straight back down
the centre of the mat, without zigzagging at all. Or at least,
if you practised this a few more times by yourself, that's what
could happen! |
 |
 |
Handler
is off the mat, dog centred correctly on the mat. The blue
ribbon is the handler's eye-target.
The
dog is trotting. Did you catch it?
You
can see that practising this without an actual leash teaches
you both to think about teamwork. |
Handler
is backing up from the right side of the mat to the left
to return. Dog has trotted away down the centre of the mat,
and is turning to return down the centre. The red line shows
the dog's path going AND coming.
Because
the dog has been rewarded a lot for trotting, even in this
slow turn her body is thinking about trotting. |
|
GIMME
THAT RIBBON, BUBBA!
If
your dog has a good head and expression, typical of his breed,
it's a good idea to teach him to make some eye contact with the
judge. It's hard to resist a pretty dog who's staring at you,
wiggling his eyebrows and asking for the ribbon with a big grin.
For dogs who are a little uncertain of strangers, it also also
gives the dog added confidence as it turns every stranger into
nothing more scary than a treat dispenser.
One
way to start teaching this is to simply pass the dog off to someone
else and have them teach him to make eye contact. This is a super
game for class situations - pass each dog around the room with
each successive handler clicking for contact. |
| Another
way to start teaching this is to have a helper act as judge and
stand at one end of the diagonal. Walk the dog up to the person,
click, and have the "judge" treat the dog. Trot him back
to the other end, turn him around, back to the "judge",
click, and have the "judge" treat him. Repeat this until
the dog really wants to get back to the "judge" in order
to get the treat, then begin slowing him down with the leash before
he gets there so he has a chance to stop and make eye contact with
the "judge" in order to get the click and treat. Use different
"judges" and different mats until the dog is truly thrilled
to be trotting toward anyone standing staring at him. When you get
him into the ring, any motion of the judge's hand will automatically
produce an excited and inspiring expression, and most judges will
oblige. |
 |
Very
nice. The dog is responding to the "judge" after
meeting the leash and using it to walk into a pretty stack.
Here
we see another example of the apparent unimportance of a
good handler. The dog and judge are deep in conversation,
while the handler appears to be nothing more than an interested
bystander. |
|
| This
inspiring expression is a key factor in winning at conformation,
and the clicker is a major weapon if you use it correctly. You
can click the dog for holding his tail in the correct position.
You can click him for putting his ears up. The last dog I showed
in conformation was trained to make and hold eye contact with
the judge as she walked around the ring examining the whole class,
as well as to walk out in front of me to engage the judge in "conversation"
after the diagonal (as is the dog in the photo above). This got
the dog's ears up, showed his expression, and established the
judge as just another treat dispenser. If you are seriously into
conformation, you can even have someone watch your dog gaiting
and click when the dog assumes his best, flowing, extended stride
in the trot. You, of course, stop and treat, then go again. |
|
SPEED
Let's
talk about you gain. If you're moving a very small dog around
the ring, you might get away with a fast walk. Otherwise, you're
going to have to run. When you run, you're trying to get where
you're going without making everyone look at you. They're supposed
to be looking at the dog. Bend your knees. Run smoothly. Videotape
yourself and get better. Watch other handlers. Running unobtrusively
is a mechanical skill, and you DO need to practise it. A few tips
- men, don't take your car keys, your office keys, your house
keys, or a pocketful of change into the ring. Jingling is not
cool. Women, this is a sport. Wear a sports bra. Knocking yourself
out does not help your dog win. And WEAR GOOD SHOES WITH GOOD
GRIP. |
| Now
the dog. At a trot, there is a specific speed which is best for
your dog to go around the ring. Try different speeds. Have someone
videotape you. If you don't know enough about conformation to make
a decision, get someone who does to watch the tape or watch you
run the dog and make the decision for you. There is also a specific
speed which is best for your particular dog to do the diagonal.
It's not the same speed as going around. Again, get someone who
knows to watch you go up and back, and tell you how fast your dog
should be moving. |
|
MAT
DIVING
I
promised we'd talk about mat diving. Here we go.
Refraining
from mat diving is the same behaviour as Conformation Zen. If
you didn't teach Zen when you were reading the Stacking article,
go back and teach it now. Zen reminds the dog that he needs to
control himself and give you what you want in order to get what
he wants. When he understands Zen and has had some practise, you'll
start explaining that bait which you throw on the floor is fair
game, but bait which other peole throw down, or that's just sitting
on the floor waiting for innocent dogs to walk by, is completely
unavailable.
If
you have a reliable helper, you can teach this off leash. Do a
little work on attention. When the dog is watching you, confident
that if he watches you hard enough he can force you to click and
give him a treat, have your helper show him a treat, then put
the treat on the floor and cover it with her shoe so he can't
get it. Let him try. Short of biting through your helper's shoe,
there's nothing he can do wrong. When he finally decides he can't
get the bait under your helper's shoe and starts to move away
from it, click and hand him a treat. Do it again. Your helper
takes the treat out from under her shoe, shows it to your dog
again, and puts it back under her shoe. When he stops trying to
get it, click and give him a treat.
When
you're training by yourself, have the dog on leash. Show him a
treat and, without clicking or saying anything, toss the treat
on the floor close enough that he'll be interested in it, but
definitely far enough away that the leash will prevent him from
getting it. Let him try. He can pull on the leash, duck down,
stand up, reach for the bait with his paws, whine, jump up and
down, bark, but he will not not NOT be able to get to the treat.
When he finally gives up, click and give him a treat from your
hand. Do it again. Pick up the treat from the floor, show it to
him, toss it out again, and let him try for it again. |
 |
Excellent
attention in spite of (or because of) bait on the floor, very
loose leash. Zen at its best! |
|
| With
or without a helper, on or off leash, think about what you're
telling the dog. He can't have the treat on the floor no matter
what he does, but as soon as he stops trying to get it, you're
guaranteed to click and give him a free treat. Hmmmm. Work really
hard and get nothing? Or don't work at all and get something?
Zen is starting to make sense!
Now
you can start changing the criteria. Can he walk away from the
floor bait without diving for it? Click and treat. Can he trot
a big circle around the floor bait without diving for it? Click
and treat. Can he trot a small circle around it? Can he trot over
it? Can he free stack on top of it? Can he back up over it?
|
| Will
this training actually work? You bet. In Best Of Breed competition
at a National Specialty, another handler tossed a huge chunk of
liver and hit my freestacked male Special right in the face just
as the judge was coming to him. My dog allowed the liver to hit
him in the face and didn't take his eyes off his handler. In fact,
he didn't move a muscle. He had the training to know the chunk
of liver was unavailable to him, but that by avoiding the temptation,
he was earning a guaranteed goody.
When
you have more confidence in Zen, you can add a voice cue ("Off"
perhaps) if you want to, although I would suggest that an "OK"
cue would be better. You're teaching the dog that food which hits
the ground is not available. Food which hits the ground after
an "OK" or a click, on the other hand, is his for the
taking.
|
THE
LEASH
Possibly
the worst part of judging is watching all the really bad leash
handling. Why do dogs pace instead of trot? Bad leash handling.
Why do dogs sidewind, paddle, goose step? Bad leash handling.
Why do handlers profess to love dogs and dog shows and then demonstrate,
by their nasty leash handling, that they have no respect whatsoever
for the animal on the end of that leash?
You've
been teaching your dog to do the conformation behaviours without
the leash. When you put the leash on him, remember that he can
already do the behaviours. You don't have to use the leash to
keep him with you, to make him start or stop or turn around, to
move his feet, to stand still, or to get him to look at you. The
truly beautiful show dog looks like he is doing everything on
his own. Your cues are subliminal, a tiny shift of your weight
forward or back, dropping or raising your hands by a quarter inche.
It should look like you're only in the ring with him because it
isn't legal for him to be in there by himself.
Is
the leash useful at all? Aha, now we're getting into really professional
work. Yes, the leash is useful.
Remember
when the dog was walking up to the judge after the diagonal, giving
her eye contact and demanding a ribbon? When the dog is about
halfway back to the judge on the diagonal, you'll add a quarter
of an ounce of pressure to to the leash, and that pressure will
build up slowly until it smoothly brings the dog to a stop five
feet out from the judge. This too is a mechanical skill, and you'll
have to practise a lot to get it smooth and beautiful, but it's
worth the effort. If you ride, it's allowing the dog to "meet
the rein" rather than pulling back to make the rein meet
the dog.
And
if you ride, you know that "The proof of the training is
whether the horse becomes more beautiful because of it".
Conformation handling is a dance. You lead the dance, but the
object of the dance is for you to be invisible and for your partner
to be smooth, natural, and stunningly beautiful. When people start
congratulating you on having such a great "natural show dog",
you'll know that all those hours of training have paid off. |
 |
My
best smile, my happiest tail. Now how about that ribbon? |
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| This
site and the writing on it is copyright Sue Ailsby. Feel free to
use it personally or for class handouts. To hand it out, you
must include a credit to Sue Ailsby and include my email address.
And I'd appreciate hearing about how you're using it |
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